Tag Archives: Music

Matt adds a little gloss with US Tour

Alternative acoustic rock artist, Matt Adey, has had something of a busy time of it over the past few months, and now, as he embarks upon an acoustic tour of the USA under the guidance of manager, Vicky Hamilton, it’s fast becoming his time to shine.

Originally from Leamington Spa, Matt arrived in West London as a raw teenager and a member of the local band scene whilst making ends meet with regular, day-to-day work.

Now, twenty years and two albums later he’s set to release what will be his third album early next year and, this month, at the start of his US tour, the single Love Is Not a Game.’

Not only that but, finding himself managed by Vicky Hamilton is a move many artists can only dream of, but that is the case and go for it he is, more so after the success of recent releases, ‘She Wore Black’ and ‘Time Stands Still.’

The latter of the two releases, to Matt’s amazement, or even smirked amusement, was even remixed for a dance album by Armin Van Burren, which became a number one bestseller!

“I’ve always been writing my own song no matter what jobs I was doing or what band I was in but I didn’t want to specifically be a soloist,” began Matt.

“I was kind of forced into it (solo) really but it’s been kind of cool the way things have panned out over the past seven years which was when I released by debut album, ‘Home.’

“That was totally different to the second one, four years later, as this was really stripped back, raw, and all done in pretty much one take; whereas in 2014, when I released ‘Eden,’ now that was weird in itself.

“It was massive, overproduced, bombastic sounding record done in a strange kind of warehouse studio in Brussels whereas my third, due for release early next year, well that’s a really strong album and I honestly feel it’s the best group of songs I’ve ever written.”

Recently Matt has seen himself working with produce Chris Potter, he who was responsible for The Verve classic, ‘Urban Hymns’ record.

Fate playing its part, and a chance meeting with Vicky in London on her book launch tour last year, saw the two worlds collide.

“Chris suggested, or told me actually, that I should go try America and it kind of snowballed from there,” added Matt.

“I met Vicky at her London book launch last year having already sent her some music, which I thankfully say, she loved, and she’s had more of the same since as well.

“She then suggested that she should manage me and I don’t think I hesitated.

“She’s an awesome person and not only does she say what she means, she does what she says and has this way of saying things as well.”

It’s that way of saying and doing things that leads Matt Adey to the good ol’ US of A for an acoustic tour that see him perform on the following dates –

October 6 Republic of Pie, Los Angeles

October 7 Genghis Cohen, Los Angeles

October 12 The Cutting Room, New York

October 14 The Bowery Electric, New York

October 18 The Kibbitz Room, West Hollywood

October 24 The House of Blues, Anaheim

October 28 Lestat’s Coffee House, San Diego

November 2 Genghis Cohen, Los Angeles

 

 

Roses are Red, Love Past Blue, Rock’s New Stars Are Coming For You

(Images courtesy of Baz Here)

They may be young, but America’s indie-alternative pop rockers, the quartet which form Love Past Blue, are fast making a name for themselves.

Already award winners, the band fronted by the exquisite vocals of 16-yeard-old bombshell, Clio Cadence are set to release their second EP of original music having released a self-titled, seven-track masterpiece at the turn of the year.

The debut EP, spearheaded by the brilliant ‘Keep Running,’ a personal favourite of the band, which put them firmly on the radar of management consultant, Vicky Hamilton, who shot to fame during rock’s heady days of the eighties and nineties with the likes of Motley Crue, Guns N’ Roses, Poison, Stryper et al; and that after claiming both Battle of the Bands and Best Vocals last summer at the Wildflower Music Festival in Richardson, Texas.

With a sound that has been described as being both bold and sassy, whilst straddling the thin line between that of pop and rock music whilst having an infusion of a subtle blend of both jazz and funk, just for good measure.

Invited back to perform at this year’s event alongside Bowling for Soup and the All American Rejects Clio and her rock all-stars have so much going for them that they’re understandably elated with the rapid progression being made.

She said: “I’m humbled (with last year’s awards), we really didn’t think we would win.

“But it was awesome that we did; and to get best vocalist was a shock.

“We’ve also been pleased with the results (from the debut EP).

“It’s had a positive response when played on the radio, and a few of songs really get the audience singing along at our shows.

“Keep Running is definitely a crowd favourite, I love Keep Running; and I also like Tricks.

“This next recording, be on the lookout for a song called VIP.”

With their catchy name originating from a Beatnik poem, that, and the sultry rock sound they produce. It is their belief that, from that, and what they have and continue to produce, is a recipe for success and led to the formation of LPB.

Clio adding: “To us it means going through a hard or difficult time where you might feel sad or blue, and finding love on the other side.

“The band started basically from stalking! I knew I didn’t want to go the solo route, and thought it would be really fun to do the band thing. So I started calling around some local studios, which is how I found Joe (Galate).”

“I was working at a place called Whataburger when they called me,” continued Joe.

“I got off at 10, went over and auditioned and they decided right there that I was in. The year and half since then has been insane, but really fun.”

“I met LPB at a competition where we were both finalists,” continued Jack.

“A month later, when they needed a guitarist, they called me while I was on vacation. I auditioned shortly after a 20 hour drive, rehearsed with them for a couple of hours, and played a show that night.”

Continuing with their speed in addition of musicians to the band the line-up was recently completed when they added fifteen-ear-old drummer, Logan, to the mix. “I flew to Dallas to rehearse for the L.A. tour, which went so well that I got to do the recordings too.

“It has been great. I feel like we’re best friends already.”

Now, as they swim with the sharks or the powerful rock industry the quartet have found themselves playing events such as the Dallas International Guitar Festival, Wildflower, Springboard and Celtic Festivals as well as a recent outing at the famous Whisky a Go Go on the Hollywood strip.

Unanimously the band all agree that the Whiskey tops recent successes although Clio is very easily pleased, not wanting to nails her colours to any particular mast.

Fourteen-year-old Jack said: “The Whisky stage is a legendary venue.

“Zeppelin has played there, so have a bunch of other great rock bands.

“To have played there at age 14, to a lively crowd, was pretty amazing.”

As for Clio, she giggled: “All of them are my favourites; but the Whisky was the last big show we did.”

Moving forward the band are set to release a new, six track EP and will be nipping across country to New York in October for manager Vicky’s launch of the second edition of her own life story, ‘Appetite for Dysfunction.’

Along with their music producer, Sylvia Massey, their latest offering certainly ticks every box, pretty much the same as Vicky has with the soon-to-be A-Listers.

“Working with Sylvia on our new music is literally a dream come true,” added Clio.

“She really believes in us and our music, and she has definitely taken the recordings to the next level.

“We’re also absolutely thrilled to be working with Vicky.

“We had hoped that performing at SpringBoard would open some doors for us career-wise, but we had no idea it would lead to us working with someone so amazing.

“She really knows what it takes to make it in this business, how to get us connected and in front of the right people.”

Follow Love Past Blue on Social Media via Facebook and Twitter or their WEBSITE

Putting the FUN back in DysFUNction – Second Edition Book Launch

(October 12, 2017, Cutting Room, New York City) Vicky Hamilton invites all to the launch of the second edition of her all-access, kiss-and-tell life story ‘Appetite for Dysfunction: A Cautionary Tale’ in New York City on October 12.

Aiming at “putting the FUN back in DysFUNction” Vicky has added a self-penned poem and new chapter she has entitled I’m A Thunderstorm.

Leaving her hometown of Fort Wayne, Indiana, at just 22, Vicky arrived on the famous Sunset Strip as a wide-eyed blonde with an ear for rock n’ roll.

“I was back home interviewing Tom Petty for Three Rivers Review,” says Hamilton, “He told me I was a ‘real California girl,’ and that’s all it took.”

It was 1981 and Vicky had arrived at the center of Hollywood, where the scene was erupting in spandex, sex, cocaine, hairspray and madcap visionaries.

Hamilton discovered Guns N’ Roses and became their first manager and surrogate mother, living in her apartment as Axl Rose ducked a rape charge. “I was basically harboring a fugitive,” she says, “Axl ended up crashing on my couch for six months.”

Hamilton then negotiated GNR’s contract with Geffen Records. In 1986, she was let go and forced to sue the band to recoup the $25,000 she’d borrowed to bankroll them.

She now continues to share her stories in an explosive memoir of the woman who rode the crazy train with some of rock’s wildest frontmen, and matched their hard-partying ways.

Sober for near 20 years, Hamilton spent that last seven excavating her private collection of photos, flyers, contracts, letters, and interviews to create a revealing look into her fascinating life.

The book includes details of her turbulent relationship with Axl Rose and Poison’s Bret Michaels, her experience as an A&R Rep. for Geffen, and, above all, it’s the story of her rise and fall, and how she regained her life by becoming a Grammy Award winning executive that helped relaunch the career of June Carter Cash in 1999.

Steven Adler (Guns N’ Roses drummer) said: “Vicky was probably the best thing that happened to us in the early days. She dealt with us when nobody else would, and made everything happen for us. I’m grateful for that.”

NOW UPDATED Vicky has added an extra chapter as, going into her sixtieth year, she is still tearing up the rule-book and still putting names on the map with Love Past Blue, Diane Meyer, Damian Sage, and London’s Matt Adey at the forefront of her exploits.

“I’ve written a new chapter for the second edition which brings the book up-to-date,” added Vicky, “Appetite for Dysfunction has had a life of its own and I’m so grateful to all I’ve met on this journey.

“A little rock n’ roll heart, definitely goes a long way.”

October 12 will see Vicky Hamilton and Friends at the fabulous Cutting Room, NYC where she’ll be doing readings from her memoirs, signing (not singing, although she could be tempted on stage), and several of her acts will also perform on a night not to be missed.

ABOUT THE AUTHOR

Vicky Hamilton is a Grammy Award winning music industry executive and manager who oversaw the early careers of Guns N’ Roses, Poison, Faster Pussycat and Mötley Crüe (to name a few). She is considered one of the most successful music industry executives of her time. Appetite for Dysfunction is her unbelievably true story, told for the first-time alongside stunning images and first-hand accounts of a music executive with nearly four decades of rock & roll stories to tell.

Limited edition autographed pre-release editions and other merchandise may be ordered through Vicky’s WEBSITE 

FEATURE: Someone’s Gotta Lie ‘Cos This Isn’t Wonderland

Sponsored by EGH Radio Rocks the home of unsigned rock music, 24/7 and the home of Anne’s Rock Show, Monday’s from 9pm

From a little County Durham former pit village of Shotton Colliery stems a musical murmuring that is causing a rather large Twister across the airwaves and beyond as Stevie Stoker and his rock cohorts continue to tear up the music scene.

Having recently celebrated his 25th birthday, band founder and lead singer, Stevie Stoker has suddenly found himself looking back on over a dozen years of musical madness for the band in which he started when at school in early 2004 has this year shared the same stage as Electric Six, Status Quo, and Bumblefoot (Ron Thal of Guns ‘n’ Roses fame).

All that has gone between then and now has never wavered Stevie’s spirits and, as an only child, has had the full backing of his parents, Steve and Shirley Stoker, as well as partner Rebecca Rawlinson. It’s the kind of support network you could only dream about but for the Stoker’s, life on the road is their son’s life, and they encourage it with open arms.

Since that original formation back at school, Stevie included, there has been some eighteen members go through the doors, but the music has remained very much the same, and that is what keeps their loyal band of followers pretty much onside, so much so that they’ll travel any and everywhere around the country to support the lads, irrespective of incarnation.

“You have to think though, we had a steady line-up for five of those years but, if you want to be in a band, be in this band, then you have to stay grounded for nobody gives you a leg up, you have to work yourselves in order to get somewhere and that’s what we’ve all done,” began Stevie.

“When we first began, back in 2004, we were already doing bits of our own material and then, when Someone’s Gotta Lie was released we knew that doing that (originals) was the way forward, knew what the tracks we did, and would do, sounded like, and things would be made going forward.

“Now, when I listen back to the first album, I love it. Some of those tracks actually rock. It was all different though when we first began, we were just 13-years-old and although we set little goals, nobody wanted to be the lead singer, so I did it myself.”

From then until now Stevie hasn’t looked back with anger or regret. Far from. He is very much aware that everything happens for a reason whether it’s playing outside of school as a child entering his teenage years, those early gigs at the band’s long-term home at ‘The Fleming’ in Shotton, right through to being a full-time, gigging band who are pretty much always on the road, whether it be here in their native north-east or further afield.

“That first, proper gig we did, was at a place called Breathless at Blackhall and we but mere kids then,” continued Stevie.

“It was an amazing gig though and still one of the biggest buzzes I’ve ever had. From that moment on we all knew wanted more, much more. The Fleming, until it was knocked down, was a family haunt and where my parents met so everything was done there so it was upsetting, the end of an era, when that place went.

“Everything that we have done though has continued to build up to where we want to be and we know that we can give a lot to both the music industry, and to the people. That’s how we want to be and will always look to connect with them. We have fans who follow us everywhere, people like Jemma Henderson and Joyce Barugh, so we’ll always look to give something back.”

Over the years their many members have included that of Louis Sera, Niall Whittaker and Johnny Kell, the latter whom, other than Stevie, has had the longest individual run in the band stretching over eight years.

By the time they played alongside, and as chief support to, Bumblefoot at the O2 Academy in April this year the quartet, which included Kyle Hughes, Edward Bell and Karl Scott, where coming to the end of that particular band incarnation.

That was a special night in its own right and since then, the new quartet consisting of Matt Whitaker, Jake Grimes and Joe Major, have continued to go from strength-to-strength.  Firstly, the new awesome foursome went onto play at Lechlade within two months of melding, Quo legend Francis Rossi saying afterwards that their “songs are great,” “Pink Floyd cover was great,” and that they “were loud,” – tribute indeed.

“Although the Bumblefoot gig was the best we’ve played together as a band and served a purpose from which a lot of good came out of it,” added Stevie.

“Now it’s all been about a fresh start, a clean slate with three, hardworking people who want this as much as I do. Famous Last Words was a closure piece for me, a closure and launching a new beginning and to be able to move forward – we want people to know that we are still about, to know what we are doing, and that we care about our fans.”

With a new, short-play EP due for release in early 2016 the only other thing that Twister promise is festivals, more gigs, a double tour date of which one will be of their own making, and a New Year’s Eve extravaganza at Bowburn Community Centre.

It will pretty much be the same as they have been before, on a ‘Feeding Frenzy.’

You can follow the progress of Twister on Facebook or Twitter @wearetwister.

 

Be Forever Mine Released At Independent

Sunderland certainly have something new and exciting to shout about as Indie Rock band, Social Room, successfully released their new single, Be Forever Mine, at Independent Sunderland at the weekend.

The six-piece, fronted by vocalist Matty Smith and consisting of Alex Gunn (bassist), Adam Potts (guitar), Simon Bewick (guitar) and Chris Leonard (keys), with the injured drummer, Sticks, being ably replaced by Tim Harker.

With support coming from Teesside band, Plastic, Independent was filling nicely by the time Social Room took centre stage, and what a performance they gave with debut single SR7 as much received as latest hit, Be Forever Mine was.

Not only did first and last go down well but others, One More Round, Great Escape and a very rousing rendition of Underworld’s Born Slippy added to what can only be described as exhilarating, thunderous, a classic show for the ages, was put out by Sunderland’s finest sextet.

The crowd were with the lads from the off and, as their set progressed, the vocal support increased peaking with football-esque chants of Social Room, chants the band not only played to, but increased their tempo of.

Looking towards an exciting new year these indie diamonds are certainly a one to watch with Be Forever Mine putting the band onto a new spectrum; if you’ve not seen them live then see them, if you have seen them then you certainly need to go back.

Social Room and Be Forever Mine were certainly not Born Slippy and if you want One More Round then Let Me See You Work It.

Longsands Return At The Cluny

Time stood still for nobody on August 12 as indie rockers, The Longsands, made their eagerly anticipated return to the music scene, showing little sign of a recent hiatus as they, quite literally, rocked The Cluny.

Backed already by celebrity support in Bez from the Happy Mondays, and Whispering Bob Harris from BBC Radio 2 they made sure that the fans got all that and more when performing tracks old, and new for their adoring fans.

They were there, in their hundreds, old and young alike – even former ‘Sands guitarist, Gaz Ormston put in an appearance in support of his former colleagues.

Craig Redpath and The Red Jets opened in style and set the tone for what would fast become an exhilarating night of non-stop indie rock that was certainly worth the journey out.

When they finally took the stage The Cluny erupted, rightly so as it had been a while since they last played together as a full band.

Opening proceedings with the first track from their new album, a masterpiece in ‘Adrenaline Junkie Flu,’ embarking upon a full repertoire of sound from both ‘Meet Me in Spanish City’ and ‘Us & Them.’

There was even time for an unscheduled acoustic set mid-show thanks to an issue with Callum Thompson’s guitar that needed urgent repair, showing that anything can happen performing live.

Interaction with the fans was in order throughout, it always is at a Longsands gig; they don’t demand it, it just comes naturally for who they’ve become, more so as tracks such as Bully, Where’s My Daddy Gone and Scissors and Stone among others.

Favourites such as Streets and Pavements, North South Divide, Standing in the Shadows and Little Britain got deserved, welcome reception.

Trevor Cox and Ian Barnes vocalised to the hilt, Callum Thompson and David Stanyer chipped in with their own around their strumming to their hearts content, and Paul Stephenson had his drums reverberating around the venue adding extra to the occasion.

No matter what they played from their impressive catalogue of music, Longsands followers old and new hung on every last note.

It was like they had never been away, and the return, well it could be the start of something really special.

 

FEATURE: Longsands No Longer Standing In The Shadows

Following a brief spell in the wilderness, The Longsands are back with a new album and a string of UK shows in 2016. 
The band, originating from Cramlington in Northumberland, consists of Trevor Cox (lead vocals), Ian Barnes (guitar), David Stanyer (lead guitar), Paul Stephenson (drums) and Callum Thompson (bass).  They rose to dizzy heights after the release of their critically acclaimed debut album ‘Meet me in Spanish City’ in 2012; performing live on Radio 2, sharing the stage with Jools Holland and Ocean Colour Scene and receiving huge praise from the likes of Bruce Foxton and Dave Stewart. But what have they been up two for the last few years and why has it taken so long for new material? I caught up with The Longsands last week to find our more…
“It was the second I walked off stage having just performed to a sell-out crowd at the Dublin Academy for the second night in a row, I remember it like yesterday,” recalls Ian. 
“I walked straight out into the crowd and up the stairs to where my Mum and Dad were sitting.  I held my Dad’s hand and asked, ‘did you enjoy that mate?’ As he looked back at me proud as punch and smiled, I knew that this might be the last big show he’d see me perform at.” 
Ian’s Dad, had been diagnosed with Cancer just weeks before the band headed over to Ireland to tour with Ocean Colour Scene. 
“Paul was going through something very similar.  His Mam had taken ill just days before our tour with Ocean Colour Scene.  He was unable to come and we had to get replacement drummer Ian Richardson in last minute.  As you can imagine, this was taking its toll on us all and at a time when the ball had really started build momentum, the band just wasn’t the main priority.”
“Everything we were going through made us all take stock of our lives.  We’d been on the road touring and making records for 7 years nonstop!  Something had to give; I decided that I would not continue as a full time band member anymore.  Everyone was very supportive and we all agreed to put family and life before the band and take some time off.  Although none of us said it, I don’t think we thought we’d make another record at that point.”
Unfortunately Paul’s Mam and Ian’s Dad both lost their battles with cancer later that year. 
Fast forward to early 2015 and on a cold Tuesday night in Cramlington, The Longsands regrouped to discuss the making of a second album. One thing that tough times often bring with them is creativity, something this band have always had in hoards! Armed with an arsenal of new tracks Ian and Trevor had written during this period The Longsands were born again.
“We rattled through the songs and it was like we had never been away!  If anything we sounded better,” recalls Stan.  We decided very quickly that we should book some studio time and just go in and record them, live, raw and as a work in progress.”

The end result was stunning! At the back end of last year fans were finally treated to two new releases, both unique in their own right. The first was released days before the General Election and was entitled ‘Tomorrow we Vote,’ a classic track timed to perfection; although Ian insists it’s timing was completely coincidental! 

The second was the provocative ‘Standing in the Shadows,’ already a timeless classic having been performed at previous Longsands shows in the past but never recorded. Both feature on the upcoming album ‘Us and Them.’
“The mix sounds great and we’re really excited about it. The new album has an interesting element to it. We’ve just tried to write about what has been going on. The music and message is very ‘here and now’ and I think that it will be something people can relate to.” 

For lead guitarist David Stanyer the return signifies the magnitude and standing which The Longsands have on a national level adding: “We hadn’t seen each other or played together for quite a long time prior to the recording.”
“Some of the songs weren’t even finished and we were still writing them in the studio. But the vibe we got off each other being locked away for that week away from everything got us doing what we do best, being lads, having a laugh and playing great music!”
“It’s been a long time coming for us and the fans but I think it’s been worth the wait. It’s our second coming so to speak.”
It’s evident that The Longsands would love another run, with the album, the bands long-awaited second, and subsequent gig at The Cluny, hopefully being a catalyst for bigger days ahead.
After all, who could forget the challenges they laid out between late 2010 and early 2011 with the likes of Mike Tyson, Shay Given, the Newcastle Falcons et al remember them. It’s certainly crossing the minds of the lads and their manager Steve Wraith.
Vocalist Trevor Cox added: “I’d like to be able to get back out there and get onto national radio, like we did with Bob Harris, but we just need to keep things tight and give people a good show, after all that’s what they want. We may even play some tracks that nobody has heard before as well (at the gig).
“A lot of things have changed in all our lives but, saying that, I’d love to go on from this and make a third album; with having a strong team around us we feel there’s more credibility to what we have produced this time around on ‘Us & Them.’ I found it really encouraging to get all of the band together and we should be able to keep things going.”
What about ‘Us & Them’ though?
Longsands followers have waited a long time for new material which the new album brings, nearly four years have passed since the debut ‘Meet me in Spanish City’ was dropped with classics such as ‘Little Britain,’ ‘Streets and Pavements’ and ‘Bully.’
Now, with the new album fans will soon be raising the roof to ‘Standing in the Shadows,’ ‘Berlin,’ ‘Choices’ and more.
It’s certainly gearing up to be a night to remember, an unforgettable one where The Longsands live up to the prophecy from The People newspaper in that they are a “Newcastle band set to be huge.”
You can follow The Longsands on Facebook and Twitter @the_longsands 

Welcome To The Social Room

There’s a plethora of indie rock sounds coming out of the north east region in recent times and Sunderland-based six-piece, Social Room, are firmly adding themselves to that list.  
Consisting of vocalist Matty Smith, guitarists Adam Potts and Simon Bewick, bassist Alex Gunn, drummer Adam ‘Sticks’ Jefferson and keys specialist Chris Leonard the lads finish 2016 with an unexpected, but welcomed, Ubeat award nomination for ‘Best Band,’ where they face some stiff competition.
Forming just last year, this was their first summer doing festivals, an occasion they used to show themselves on the bigger stage. Now though they are in need of keep the momentum going and, with the following they have already gathered in their native Sunderland, they can build towards a productive, progressive future in the music industry.
Now, as they prepare for their fourth single, and second single launch with Be Forever Mine (at Independent, Sunderland on December 17),Social Room are preparing themselves for the next step in their music journey, and as friends it’s a one they’re looking forward to doing.
“Matt (vocalist) and I have known each for years and I went to college with one of the other lads,” began guitarist Adam Potts.
“We’ve all known each other through mates and, as we’re not getting any younger, thought we’d give it the best shot we could.
“It was difficult to start off with as well but we had a great debut year (two gigs at Newcastle’s O2 Academy and a successful first single launch at Independent are testament to that) so we’re now just looking at keeping things going, getting that momentum on our side and, with our own place we can just go for it without distraction.”

Be Forever Mine comes fast on the heels of tracks like Let Me See You Work It, and SR7, their debut single and provides that mix that has already seen them likened to artists such as the Arctic Monkeys and the Stereophonics whilst stating influences of Kasabian and the Rolling Stones.
“We’re enjoying it and lucky that we have built up a really good fan base already,” continued Adam.
“When we released the single on video it had something like 1700 views in just 12 hours and over 3500 by the end of the week which was crazy; although we got a little worried to begin with when we noticed the likes and shares on social media but that it had had only ten views (time lapses can do that with technology).
“We’re lucky to know the people that we do though and they’ve been a great help, more so with the videos we’ve released. Now though the focus is firmly on the single launch and we’re hoping that we can sell this out just as we did last year.
“That was probably the best gig we’ve done so far and the atmosphere in there is amazing, then we can look at next year where we’re hoping to focus on gigs and festivals on the road some more, get our name out there.”
Describing their music as being soaring “melodies underpinned by dance induced rock and roll beats.” Follow them on Facebook and Twitter @SocialRoomBand.

Sirens Prepare To Make Noise

Newcastle-based all-female trio, Scream of Sirens, are a rock band out to make a lot of noise and show that, in the words of their latest single, they are going to ‘Get Some.’

Fronted by vocalist Steph Dawson and flanked by Ruth Cranston (guitar and vocals) and Emma Anderson (drums and vocals), the trio only recently came into the scene in their current form late last year and are presently making announcements aplenty regarding singles, signing with a publishing company, and enlisting the guidance of a Media & PR specialist.

“We were approached by Wipe Out Music Publishing’s John Esplen as they were very interested in what we’ve been doing,” began Ruth.

“He’d heard our single ‘Get Some’ on BBC Introducing and liked the differing styles which we offer (in comparison to other clients they have). They’ve already got a good, varied roster so we are definitely looking forward to working with them.

“Our EP, Scream, which was released earlier this year, has been signed over to them and we’ve been afforded plenty of options to work with them in the future which is great for us.”

That EP contains tracks such as ‘Let You Go’ and ‘Get Some’ which came fast on the back of a debut show which saw them supporting Cherie Currie, the voice of The Runaways, putting them straight into the mix and which had Currie saying afterwards: “You rock, great band, keep it up!”

In the twelve months ‘Scream’ has done just that, screamed at the rock-loving public meaning they are looking at more, and sooner than later, Ruth adding: “Both the EP and the single, ‘Get Some’ has been going down really well which is amazing for us, we’re delighted they done as well as they have.

“The single, ‘Let You Go,’ has been done for a video now which will be released in the next few weeks and we’re hoping we can get another one out before the end of the year, after that, and a few gigs, we’ll take a little time to finalise the album which comes out later next year.”

Whilst planning their album for 2017 this year for Scream of Sirens will finish with October finales at the Vintage Rock Bar in Doncaster, and at the Blazing Rag in Mossley, and the possibility of two regional shows just for good measure.

You can follow Scream of Sirens on Facebook and Twitter @scream_sirens.